brought the candidate into closer contact with people in small places, but because it was slow. People seem increasingly interested in slowing down these days. Forced by economic straits to pull back and in, they are reminded of the virtue by necessity. These still photos are such reminders.
The shadows themselves become items in this theme of motion against motion, time against time. In the Hiroshima Peace Memorial Museum, an institution built to commemorate the consequences of the first A-bomb, are photographs of the shadows that victims left on walls and on bridges when the people themselves had been obliterated. Bentley's shadows stretch out from the candidate and his entourage, as if clinging to the ground
